Cakkani sAmikkidi manci samayamurA NEDU – tODi-Misra jhampa – atIta eDuppu – Mysore Seshanna

ElaranAto calamu jesevurA shri krShNa – kAmbOji – Adi with mukkAl eDuppu – taught by Tirukodikkaval Krishna Iyer to Mysore Vasudevachar

Mazhavarayanendal Subbarama Bhagavatar rtp in kuntalavarALi – tisra tripuTa – nAmoraluvinavE nAkannatalli – atIta EDuppu demonstrated by Alathur Srinivasa Iyer

Karaikkudi – palukavE patitapAvani nIvu cinari cilukavE Amba – mOhanam – catusra rUpakam – beginning in little finger

Doreswami Iyengar – 2 Avarta Pallavi – cakkAga ni bhajana cesevAriki takkuva buvi galadA rAmA dina dinamu – Swara singing at three places – cakkAga, takkuva, dinadinamu

Alathur Bros Pallavi – hEmavati, khaNDa jhampa, khaNDa naDa – ninnu nammiti nIvE gati nIrajadaLa nEtra harE rAma – atIta eDuppu by 3 akshara swaras in higher speeds with ragamalika – kuntalavarALi , behAg, with pratiloma

Chingleput Ranganathan – shankarAbharaNam, Adi , Misra nada – one akshara atIta VEnkataramaNa, sankaTa haraNa, Pankaja Nayana, Tirupati Tirumalai saptagirivAsa , pratiloma

ShaNmukhapriya -Adi – sankIrna nada – kadirvadivela unadu Padam tunaye, orArumuganE dEvAAdidEvanE Alathur

Prof TRS – Adi – 3 speeds in 1st half – dAsarathe tanayuni maravaka Manasa, dinamu guNamu shankarAbharaNam

Sanjay summed up by saying it was a throwback to an earlier era.